Recommended Biography, History, & Memoir

Summerland is the story of a young hero on a quest through the strange world of the American Faery. This is a fantasy for readers of all ages, set against the background of the American myth. The Clam Island fairies are in grave peril. War is coming, another battle in an ancient conflict. When the band sends for a champion, they get an 11 year-old boy named Ethan Feld. He hates baseball and wants to quit his losing team, but Jennifer T. Rideout loves baseball and won't let him quit. The two find themselves on a journey that includes zeppelins, werefoxes, Indian mythology, sasquatches, wendigos, and the haunted 161 year old husk of George Armstrong Custer. Finally Ethan becomes who he is: a changeling, a hero, and even a man.

In The Amazing Adventures of Kavalier and Clay, prose magician Michael Chabon conjured the golden age of comic books, interwining history, legend and story-telling verve. In The Final Solution, he has condensed his boundless vision to create a short, suspenseful tale of compassion and wit that re-imagines the classic 19th-century detective story.


In deep retirement in the English countryside, an 89-year old man, vaguely recollected by the locals as a once-famous detective, is more concerned with his bookkeeping than his fellow man. Into his life wanders Linus Steinman, nine years old and mute, who has escaped from Nazi Germany with his sole companion: an African grey parrot. What is the meaning of the mysterious strings of German numbers the bird spews out-a top-secret SS code? The keys to a series of Swiss bank accounts? Or do they hold a significance at once more prosaic and far more sinister?


Though the solution to this last case may be beyond even the reach of the once famed sleuth, the true story of the boy and his parrot is subtly revealed to the reader in a wrenching resolution to this brilliant homage. The Final Solution is a work from a master story-teller at the height of his powers.

Sixteen-year-old Steve Harmon has been charged as an adult accomplice to murder. Steve resorts to his passion for filmmaking to put some order to and make some sense of his ordeal; his trial is presented as a movie. The reader feels his panic over the possibility of spending life in prison and his fears of being beaten and sexually abused there. The attorneys present their cases before the jury and the drama builds just as it would in a movie. Steve feels the surrealism of the stark reality he is facing. The reader is drawn into the trial, trying to determine, as is Steve himself, if he is the Monster that the prosecutor says he is, or a victim of circumstance. The film script concept works well on many levels. The illustrations, intermittently placed, present Steve in various ways: photos with his mother, on the drugstore surveillance camera, in a courtroom drawing, and in his mug shots. They give an added sense of reality to the narrative. This is a powerful, intense, thought-provoking story. It is great for discussions about the judicial system, pre-judging, self-perception, parent-child relationships and our prison system.

It is the summer of 1964. In Tupelo, Mississippi, the town of Elvis's birth, tensions are mounting over civil-rights demonstrations occurring ever more frequently - and violently - across the state. But in Paige Dunn's small, ramshackle house, there are more immediate concerns. Challenged by the effects of the polio she contracted during her last month of pregnancy, Paige is nonetheless determined to live as normal a life as possible and to raise her daughter, Diana, in the way she sees fit - with the support of her tough-talking black caregiver, Peacie.


Diana is trying in her own fashion to live a normal life. As a fourteen-year-old, she wants to make money for clothes and magazines, to slough off the authority of her mother and Peacie, to figure out the puzzle that is boys, and to escape the oppressiveness she sees everywhere in her small town. What she can never escape, however, is the way her life is markedly different from others'. Nor can she escape her ongoing responsibility to assist in caring for her mother. Paige Dunn is attractive, charming, intelligent, and lively, but her needs are great - and relentless.


As the summer unfolds, hate and adversity will visit this modest home. Despite the difficulties thrust upon them, each of the women will find her own path to independence, understanding, and peace. And Diana's mother, so mightily compromised, will end up giving her daughter an extraordinary gift few parents could match.

Leif Enger's rhapsodic novel about a father raising his three children in 1960s Minnesota is a breathtaking celebration of family, faith, and America's pioneering spirit. Through the voice of eleven-year-old Reuben, an asthmatic boy obsessed with cowboy stories, Peace Like a River tells of the Land family's cross-country search for Reuben's outlaw older brother, who has been controversially charged with murder. Sprinkled with playful and warmhearted nods to biblical tales, classic American novels such as Huckleberry Finn, the adventure stories of Robert Louis Stevenson, and the Westerns of Zane Grey, Peace Like a River brilliantly incorporates the best elements of all these genres and ultimately earns its own prominent and enduring place on the shelf among them. Reuben Land was born with no air in his lungs, and it was only when his father, Jeremiah, picked him up and commanded him to breathe that his lungs filled. Reuben struggles with debilitating asthma thenceforth, but he is a boy who knows firsthand that life is a gift, and also one who suspects that his father can overturn the laws of nature. When Reuben's older brother, Davy, kills two marauders who have come to harm the family, the town is divided between those who see him as a hero and those who see him as a cold-blooded murderer. On the morning of the trial, Davy escapes from his cell, and when his family finds out they decide to go forth into the unknown in search of him. With Jeremiah -- whose faith is the stuff of legend -- at the helm, the family covers territory far more glorious than even the Badlands, where they search for Davy from their Airstream trailer. By the time the journey is over, they will have traversedboundaries of a different nature entirely. Marked by a soul-expanding sense of place and a love of storytelling, Peace Like a River is at once a heroic quest, a tragedy, a romance, and a heartfelt meditation on the possibility of magic in the everyday world.

One of the most acclaimed novels in recent memory, The Known World is a daring and ambitious work by Pulitzer Prize winner Edward P. Jones.


The Known World tells the story of Henry Townsend, a black farmer and former slave who falls under the tutelage of William Robbins, the most powerful man in Manchester County, Virginia. Making certain he never circumvents the law, Townsend runs his affairs with unusual discipline. But when death takes him unexpectedly, his widow, Caldonia, can't uphold the estate's order, and chaos ensues. Jones has woven a footnote of history into an epic that takes an unflinching look at slavery in all its moral complexities.

It's a clich to say that a good memoir reads like a well-crafted work of fiction, but Kimmel's smooth, impeccably humorous prose evokes her childhood as vividly as any novel. Born in 1965, she grew up in Mooreland, Ind., a place that by some "mysterious and powerful mathematical principle" perpetually retains a population of 300, a place where there's no point learning the street names because it's just as easy to say, "We live at the four-way stop sign." Hers is less a formal autobiography than a collection of vignettes comprising the things a small child would remember: sick birds, a new bike, reading comics at the drugstore, the mean old lady down the street. The truths of childhood are rendered in lush yet simple prose; here's Zippy describing a friend who hates wearing girls' clothes: "Julie in a dress was like the rest of us in quicksand." Over and over, we encounter pearls of third-grade wisdom revealed in a child's assured voice: "There are a finite number of times one can safely climb the same tree in a single day"; or, regarding Jesus, "Everyone around me was flat-out in love with him, and who wouldn't be? He was good with animals, he loved his mother, and he wasn't afraid of blind people." (Mar.) Forecast: Dreamy and comforting, spiced with flashes of wit, this book seems a natural for readers of the Oprah school of women's fiction (e.g., Elizabeth Berg, Janet Fitch). The startling baby photograph on the cover should catch browsers' eyes.

The handsome minister Tyler Caskey, of West Annett, Maine, is beloved by his parishioners because he really does think they’re all God’s children. But in the bleak autumn of 1959, more than a year after the death of his wife, Tyler is still awash in grief. The man who once held them rapt from the pulpit now appears ridiculous up there—“like a big tractor being driven by a teenage kid, slipping in and out of gear”—and his daughter has started screaming and spitting in kindergarten. How can he lead them if he himself is lost? Just as she did in her first novel, “Amy and Isabelle,” Strout has created an absorbing world peopled by characters who argue the merits of canned cranberry sauce and using one’s turn signal; meanwhile, dark fears about Freud and Khrushchev run beneath the surface of their lives like water under ice. With superlative skill, Strout challenges us to examine what makes a good story—and what makes a good life.

If I could tell you only one thing about my life it would be this: when I was seven years old the mailman ran over my head. As formative events go, nothing else comes close.


With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable.


What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.

In this profoundly affecting memoir from the internationally renowned author of The Caged Virgin, Ayaan Hirsi Ali tells her astonishing life story, from her traditional Muslim childhood in Somalia, Saudi Arabia, and Kenya, to her intellectual awakening and activism in the Netherlands, and her current life under armed guard in the West.


One of today's most admired and controversial political figures, Ayaan Hirsi Ali burst into international headlines following an Islamist's murder of her colleague, Theo van Gogh, with whom she made the movie Submission.


Infidel is the eagerly awaited story of the coming of age of this elegant, distinguished -- and sometimes reviled -- political superstar and champion of free speech. With a gimlet eye and measured, often ironic, voice, Hirsi Ali recounts the evolution of her beliefs, her ironclad will, and her extraordinary resolve to fight injustice done in the name of religion. Raised in a strict Muslim family and extended clan, Hirsi Ali survived civil war, female mutilation, brutal beatings, adolescence as a devout believer during the rise of the Muslim Brotherhood, and life in four troubled, unstable countries largely ruled by despots. In her early twenties, she escaped from a forced marriage and sought asylum in the Netherlands, where she earned a college degree in political science, tried to help her tragically depressed sister adjust to the West, and fought for the rights of Muslim immigrant women and the reform of Islam as a member of Parliament. Even though she is under constant threat -- demonized by reactionary Islamists and politicians, disowned by her father, and expelled from her family and clan -- she refuses to be silenced.


Ultimately a celebration of triumph over adversity, Hirsi Ali's story tells how a bright little girl evolved out of dutiful obedience to become an outspoken, pioneering freedom fighter. As Western governments struggle to balance democratic ideals with religious pressures, no story could be timelier or more significant.

Graves includes four valuable sections on sermon preparation but also provides brief lessons, exercises, questions for reflection, and invitations to do such things as walk, read, and nap. In the end, the cure for homiletical burnout is life itself, especially the ordinary pleasures often ignored or pushed aside by the complicated job of ministry. This is a perfect book for both new graduates and experienced preachers.

Mark Twain once observed, “A lie can get halfway around the world before the truth can even get its boots on.” His observation rings true: Urban legends, conspiracy theories, and bogus public-health scares circulate effortlessly. Meanwhile, people with important ideas–business people, teachers, politicians, journalists, and others–struggle to make their ideas “stick.”


Why do some ideas thrive while others die? And how do we improve the chances of worthy ideas? In Made to Stick, accomplished educators and idea collectors Chip and Dan Heath tackle head-on these vexing questions. Inside, the brothers Heath reveal the anatomy of ideas that stick and explain ways to make ideas stickier, such as applying the “human scale principle,” using the “Velcro Theory of Memory,” and creating “curiosity gaps.”


In this indispensable guide, we discover that sticky messages of all kinds–from the infamous “kidney theft ring” hoax to a coach’s lessons on sportsmanship to a vision for a new product at Sony–draw their power from the same six traits.


Made to Stick is a book that will transform the way you communicate ideas. It’s a fast-paced tour of success stories (and failures)–the Nobel Prize-winning scientist who drank a glass of bacteria to prove a point about stomach ulcers; the charities who make use of “the Mother Teresa Effect”; the elementary-school teacher whose simulation actually prevented racial prejudice. Provocative, eye-opening, and often surprisingly funny, Made to Stick shows us the vital principles of winning ideas–and tells us how we can apply these rules to making our own messages stick.

After the horrors and violence of the twentieth century, words can seem futile. In this reflection on the place of preaching today, Richard Lischer recognizes that our mass-communication culture is exhausted by words. Facing up to language's disappointments and dead ends, he opens a path to its true end.


With chapters on vocation, interpretation, narration, and reconciliation, The End of Words shows how faithful reading of Scripture rather than flashy performance paves the way for effective preaching. Lischer challenges conventional story-telling with a deeper and more biblical view of narrative preaching. The ultimate purpose of preaching, he argues, is to speak God's peace, the message of reconciliation.


While Lischer's End of Words will surely be invaluable to pastors and preachers, his honest, readable style will appeal to anyone concerned with speaking Christianity.

Much of the malaise of the mainstream Western church results directly from preaching that is far from healthy. A surprising number of new books have been thrown at the problem, advocating fresh styles and techniques or simply restating the case for traditional expository preaching, but preachers are left overwhelmed and confused and their listeners remain just plain bored.


With 360-Degree Preaching, veteran preacher Michael Quicke brings expository preaching to a postmodern world. As someone who preaches every Sunday, he has witnessed the transforming power of preaching first hand for over thirty years. As he teaches students and pastors the art of preaching, his goal is to encourage preachers and those who train to be preachers.


In part 1, Quicke offers some vital principles for biblical preaching. He examines the scriptural roots of preaching and the importance of preaching throughout church history. He analyses the current situation and suggests that the way forward lies in a recommitment to preaching's Trinitarian dynamic, which Quick calls "360-degree preaching." He calls for courageous and thoughtful engagement with culture and examines the effect of a preacher's spirituality upon preaching. He rounds out this first section with implications for preaching in our changing times.


Part 2 focuses on preaching practices and invites preachers to join in the "preaching swim," Quicke's model for the rigorous practical journey all preachers make each time they preach: immersion in Scripture, interpretation for today, sermon design, sermon delivery, and outcome. The book concludes with a sermon evaluation form and a sample sermon produced according to the model Quicke offers.


360-Degree Preaching is a vital tool for preaching students preparing for ministry and pastors looking for fresh insight into communicating to postmodern parishioners.